GINO ZACCARIA
Courses a.y. 2023/2024
30245 METODO, CRITICA E RICERCA NELLE DISCIPLINE ARTISTICHE / CRITICAL APPROACHES TO THE ARTS
30474 METODO, CRITICA E RICERCA NELLE DISCIPLINE ARTISTICHE II - MODULO I (ETICA ARTE SCIENZA) [CRITICAL APPROACHES TO THE ARTS II - MODULE I (ETHICS ARTS AND SCIENCE)]
30479 METODO, CRITICA E RICERCA NELLE DISCIPLINE ARTISTICHE II - MODULO II (MUSICA E LETTERATURA) [CRITICAL APPROACHES TO THE ARTS II - MODULE II (MUSIC AND LITERATURE)]
Courses previous a.y.
Biographical note
My field of research is theoretical philosophy, according to the phenomenological approach. Currently, I am Professor of Philosophy and Aesthetics. I was Professor of Introduction to Philosophy (2001-2007); Philosophical Hermeneutics (1995-2004); Methodology of Human Sciences (1994-95); Logic and Philosophy of Science (1983-1995). I am scientific director of the international journal “eudia — Yearbook for Philosophy, Poetry and Art” (www.eudia.org), and of the international research project "ScienzaNuova" (www.scienzanuova.org)
About
I am also member of Società Italiana di Filosofia Teoretica , of Societé Française de Philosophie, of Akademie Deutsch-Italienischer Studien, Meran, and of Martin-Heidegger-Gesellschaft.
Research interests
My research interests lie in the areas of Epistemology, Metaphysics and Ontology; Greek philosophy; Logic; Philosophy of Time, Philosophy of Art; Italian and English Philosophical Lexicon.
In particular, I am interested in the dialogue between phenomenological philosophy and theoretical physics on the question of time and space. In this context, the problem of the difference between space-time understood in a strictly physical sense and space and time understood in artistic creation is relevant. This also raises the question of the meaning of truth: how can the relationship between 'physical truth' and 'artistic truth' be understood? And what are the consequences for the philosophy of art and artistic ethics?
Selected Publications
Meditazioni scismatiche : il nulla e il tempo, l'infinito e l'arte
Firenze, Olschki, 2022
Time and value
Academic freedom in the European context: legal, philosophical and institutional perspectives, London Palgrave Macmillan, 2022
Ontologia dell’infinito (da Aristotele ad Anassimandro — verso Leopardi)
EUDIA, year 13, 2019
The fiction of peer review. Phenomenology of a catatrophe
EUDIA, year 12, 2018
Spazio tempo luce. Il Futurismo di Boccioni
Kunst im zwanzigsten Jahrhundert: zwischen Klassizismus und Moderne, zwischen privatem und öffentlichem raum, Nordhausen: Traugott Bautz, 2017