30469 - CRITICAL APPROACHES TO THE ARTS II - MODULE I (TELEVISION AND CULTURE)
Department of Social and Political Sciences
Course taught in English
ANDREA QUARTARONE
Suggested background knowledge
Mission & Content Summary
MISSION
CONTENT SUMMARY
Built on theoretical/critical basis mostly linked to cultural, sociological and political studies, the course is designed around three key conceptual dimensions:
· The medium's nature – historical and social role, communication spectrum, storytelling processes, relation with audiences
· Television's social impacts – meaning structures, ideological architectures, public agenda, impact on public opinion and popular consent
· Television and democracy – relations of power, political narratives, electoral processes and institutional legitimacy
Intended Learning Outcomes (ILO)
KNOWLEDGE AND UNDERSTANDING
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Identify and illustrate the complexity of the television communication spectrum.
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Define and summarize the historical and contemporary roles of television within society.
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Examine and explain the relationships between television, audiences, culture, politics and democracy
APPLYING KNOWLEDGE AND UNDERSTANDING
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Analyze and understand the ideological and symbolic framework of television.
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Apply historical and contemporary analytical frameworks to examine the social dimensions of the medium and reflect on its possible future developments
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Become informed television professionals with a full awareness of the medium’s potential, as well as a deep understanding of the social and civic responsibilities involved in cultural production.
Teaching methods
- Lectures
- Guest speaker's talks (in class or in distance)
- Individual works / Assignments
- Interaction/Gamification
DETAILS
The teaching style is characterized by a strong, continuous, and meaning-creation-oriented interaction between teacher and students. In addition to this:
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Guest speakers will provide different (broader, narrower, or lateral) perspectives on the course topics.
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Case studies will be analyzed and discussed through interactive, organized class activities (e.g., workshops).
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Individual assignments (for attending students) will give students the opportunity to develop and demonstrate their own critical and analytical skills.
Assessment methods
| Continuous assessment | Partial exams | General exam | |
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ATTENDING STUDENTS
- Individual assignment: a 2-page critical essay—submitted a few weeks before the exam—on one of the topics discussed in class, chosen by the student. The essay aims to evaluate the student’s ability to:
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Apply historical and contemporary analytical frameworks to examine the social dimensions of the medium and reflect on its possible future developments
- Analyze and understand the ideological and symbolic framework of television
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- Oral exam about the course topics. The exam is designed to assess the student’s ability to:
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Identify and illustrate the complexity of the television communication spectrum
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Define and summarize the historical and contemporary roles of television within society
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Examine and explain the relationships between television, audiences, politics, culture and democracy
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NOT ATTENDING STUDENTS
- A final oral exam focused on two books (more detailed information will be provided in the syllabus). It is designed to evaluate the candidate’s abilities in:
- Identify and illustrate the complexity of the television communication spectrum
- Define and summarize the historical and contemporary roles of television within society
- Examine and explain the relationships between television, audiences, politics, culture and democracy
Teaching materials
ATTENDING STUDENTS
Slides, personal notes and a bibliography will be provided in the syllabus at the beginning of the course.
NOT ATTENDING STUDENTS
- Davis A., Fenton N., Freedman D., Khiabany G. (2026), Media, Democracy and Social Change: Re-imagining Political Communications, 2020, Sage
- Hodkinson P., Media, culture and society: an introduction (3rd edition), Sage Publications, 2024