20238 - COMMUNICATION EVENTS AND ENTERTAINMENT INDUSTRIES
CLMG - M - IM - MM - AFC - CLAPI - CLEFIN-FINANCE - CLELI - DES-ESS - EMIT
Course taught in English
Go to class group/s: 31
Furthermore, this course intends to provide advanced conceptual instruments for the comprehension of entertainment as a guiding principle that permeates today’s consumer culture. Through the analysis of the main show business industries (theme parks, sport, movies) students understand how entertainment is managed and how consumers experience and use entertainment products, services and industries. Besides a limited number of theoretical lectures, the course draws upon sessions supported by case studies, field projects, in-class exercises and participation by guest speakers from leading organizations in their respective fields.
- Event industries: Actors and competencies
- Fundamental decisions: goal setting, targets, messages, budgeting
- The event management process (the company and the agency’s points of view)
- Measuring event results
- Entertainment and Entertainment industries (theme parks, sport, cinema)
- Audiences and fans
The evaluation consists of a field projects in small groups (one for each module of the course) and an individual written exam.
- The field project will represent 60% of the total mark.
- The individual written exam will represent the remaining 40% of the total mark and will be based on questions covering the course’s textbook, additional readings, instructors’ slides and guest speakers’ material. The marks obtained on field projects remain valid for the exam sessions of June and July 2014 only. Students who take the exam in later dates will be treated as non-attendants.
- There is no oral integration.
Non - Attending students
The evaluation is 100% based on written exam. The exam is written and will be based on open questions (no multiple choice questions) covering the course’s textbooks. There is no oral integration.
- D. Rinallo (ed.), Event Marketing, EGEA, Milan, 2011 (selected chapters).
- Additional readings and documents as indicated in the syllabus, available from the course reserve page or learning space.
Non - Attending students
- D. Rinallo (ed.), Event Marketing, EGEA, 2011 (entire book).
- A. Lieberman, The Definitive Guide to Entertainment Marketing, Financial Times Prentice Hall, 2013